Category: Traditional Architecture

The Way to Measure Square Footage for Painting Walls

The Way to Measure Square Footage for Painting Walls

When preparing to paint a room, among the most important details to consider is the amount of paint required. Calculating the square footage of your walls accurately will ensure a cost-effective, timely endeavor. Expand your walls is an easy project requiring only a tape measure or yard stick along with a calculator and also basic math skills.

Length Times Height

Assess the length of one wall to be painted in feet. Then assess the height of the wall in feet. Multiply the length of the wall from the height to get the square footage. If you’re painting more than one wall, find the square footage of each wall and then add them together for the total square footage. If there are doors or windows located on the wall, perform the same measurement — length times height to find the square footage of those openings. Subtract the square footage of the door or window from the wall to calculate the total wall area to be painted.

See related

The Plant Pot Sizes for Landscapes

The Plant Pot Sizes for Landscapes

The price of purchasing a landscape plant varies with the magnitude of this pot the plant is in. Until recently, customers looked for quart containers, 1-, 5- and 10-gallon containers and apartments of plants that are smaller. However, these names were not accurate descriptions of this pot’s capacity, therefore the names have changed. It is still buyer beware though — look for well-rooted specimens to prevent paying extra for dirt.

ANSI

The American National Standards Institute — or ANSI — today regulates pot sizes to infer exactly what size pot you’re becoming. Even signaling the pot’s width, such as a 10-inch pot, doesn’t tell you exactly what the quantity — and therefore the prospective root dimension — of the grass is. 1 grower could utilize a taller 10-inch pot than another grower, leading to different quantity “10-inch” containers. The current ANSI standard for nursery pots premiered in 2004.

Big Pot Classes

Manufactured pots need to fall within the ranges that define their classes. This allows for variations in heights and widths from other manufacturers to suit different growers needs, but nevertheless standardizes the quantity. Manufacturers indicate large container classes by the pound sign, #, followed by a number 1 through 100. Manufacturers used to predict these containers different sized “gallon” pots. Together with all the new container system, the bigger the number, the bigger the container is. In cubic inches of volume, a #1 container — that was commonly called a 1-gallon pot — is 152 to 251 cubic inches, a #2 container is 320 to 474 cubic inches, a #3 container 628 to 742 cubic inches and a #5 container — that was commonly called a 5-gallon container — is 785 to 1242 cubic inches.

Smaller Pot Sizes

Small plant containers, usually holding perennials or annuals, are suggested by “SP” followed by the period of the side of this grass for square pots — or even the diameter, for around pots — measured in inches. Because the period of the pot’s side determines that category it falls under, manufacturers are limited in the grass heights they could create and stay within the allowed volume. There are only five categories for small pots: #SP1 is 6.5 to 8.0 cubic inches, #SP2 13.0 to 15.0 cubic inches, #SP3 20.0 to 30.0 cubic inches, #SP4 — previously called a combined container — is 51 to 63 cubic inches and #SP5 is 93 to 136 cubic inches. Cell packs, such as SP pots, must indicate the period of the side of the individual cell plus the number of cells are in the tray.

What Kind Pot to purchase

Nurseries sell annual plants at the #SP 1 through 5 sizes. The larger the pot, the more room the origins have had to climb and the sooner the plant will have the ability to blossom. You can find lower-priced perennials at #SP 4 or even #SP 5 pots, but they might not bloom the first year. Commonly, #1 containers hold second year perennials or young shrubs, while more mature shrubs are offered at #2 to #5 containers. The bigger container sizes, such as #95, are for trees.

See related

Modern Materials: Copper, Architecture's Natural Beauty

Modern Materials: Copper, Architecture's Natural Beauty

Copper is one of the most distinctive, yet infrequently used, exterior materials. Its allure owes to the natural patina that takes hold and transforms it from orange to brown to green about ten decades. Used most frequently for tiles, roofs and details such as gutters and downspouts, copper is actually alloyed with calcium in architectural applications. Another ratio of copper to zinc results in brass, whilst bronze results from copper being alloyed with nickel, aluminum, or silver. This ideabook focuses on copper and its own defining green patina, both for inspiration and also some practical hints for incorporating the material.

Travis Price Architects

An architect with a clear preference for copper and its own patina is Travis Price, who practices in Washington, D.C.. The houses he’s designed in the region mix into their wooded surroundings, especially his own, which even notches around a shrub.

Travis Price Architects

The fact that copper is soft and expensive yet powerful means that lean sheets are ideal, and they can be shaped easily — a fantastic combination. In a different D.C. house by Cost, the gentle curve of this copper wall is not a issue, even with extremely long bits.

The cost of copper is balanced by the fact that it has the highest recycling rate of any engineered alloy. Three-quarters of copper in architectural software is recycled, matching the rate at which it’s extracted. Specifying recycled copper can decrease cost and save on the energy needed to mine the material.

Travis Price Architects

Copper is highly resistant to corrosion, making it ideal for outdoor applications, but it will rust when it comes in contact with cedar. Therefore installations such as the one pictured here require a separation between the wood and the copper.

Similarly, but to a greater level, aluminum corrodes other metals, such as steel, aluminum, zinc and cast iron. Therefore mechanical fasteners, when needed, must be garnished with copper in order not to be corroded.

Travis Price Architects

As I said, the green patina that forms on the surface of copper takes approximately ten years to grow when left to character. Acids and finishes can expedite the process, but an artificial patina is not an exact match to a normal one, which provides the material a subtly different look with time.

This home in West Virginia resembles the preceding examples, but Cost turned the panels to parallel trees.

Travis Price Architects

A close-up of this facade reveals that the green stripes on the copper panels, but we could also find the vertical standing seams along with the way the panels float.

Given how aluminum may corrode different metals, and the fact it can be folded, soldered and welded easily, most programs have a welded instead of mechanical assembly, which also helps deals with the material’s great degree of expansion.

Travis Price Architects

Copper’s patina can stain adjoining materials, such as rock, stucco, concrete and other light surfaces. Staining would have been an issue within this improvement by Price, thinking about the light-colored stucco of the existing structure, but the dark shingles immediately adjacent to the copper take care of it.

WNUK SPURLOCK Architecture

This house, designed by Wnuk Spurlock Architecture, has two amounts of prepatinated copper positioned astride a centre segment of Cor-Ten steel, a material that gains its own sort of different patina.

WNUK SPURLOCK Architecture

This glance of these panels reveals the variation that can be found; what looks consistent from far away is anything but close.

CCS ARCHITECTURE

For the sake of contrast, it’s excellent to see copper siding which hasn’t gained its patina. This project, by CCS Architecture, has three piled volumes, similar in size and shape but every coated in different materials. Over time the middle portion will take on a patina that will raise the home’s integration into the site.

Takt | Studio for Architecture

The aptly called Copper House at Sydney from Takt | Studio for Architecture displays that the combination of colors that happens as the material oxidizes.

Takt | Studio for Architecture

Copper’s patina is made by sulfur compounds in the air, accelerated in marine and industrial environments, as well as regions with high temperatures or humidity.

Coates Design Architects Seattle

This previous instance, by Coates Design Architects Seattle, illustrates how weathered aluminum could be a style statement, bringing attention to a single place, in this case the entrance. Though the copper section is a lot smaller than the concrete and wood, its own color grabs the most attention.

See related

Why Authenticity in Architecture Matters

Why Authenticity in Architecture Matters

I was 22 years old, full of myself and sitting in a seminar desk across from Charles Foreman Johnson, who had recently been named as one of the 100 best design professionals in the world by Architectural Digest. Between the others, sitting proudly on the desk, was a model. I had been describing to Mr. Johnson this model that I had lately finished in school had been the greatest function of structure of the previous 50 years.

Mr. Johnson listened quietly while he awakened the model, appearing from above and ducking to an eye-level view. My verbal dissertation finally stopped, but Mr. Johnson maintained quiet. Surely, I thought, he had been simply thinking about the magnificence that stumbled upon his seminar table. After a couple of moments, he leaned back into his chair and scratched his brow. Then, after what seemed like forever, he spoke: “What you have here, Eric, are three very good ideas. Unfortunately, you’ve stuck them all together into a single design. The home lacks integrity; it lacks authenticity.”

Then he motioned for me to cup my hands together and look through them the way a young child would pretend to look through a telescope. I looked in the front of the home, then the other hand, then the correct. Although I certainly didn’t wish to acknowledge it, I instantly understood what he meant. My great piece of architecture suffered from multiple personalities — there was no single notion that tied it together, and it did indeed lack authenticity.

Why does authenticity make for wonderful architecture? Let us look at six examples of authentic interiors and exteriors, and why they work.

LLC, CHRISTIAN DEAN ARCHITECTURE

1. Sweeney Lake House, Minneapolis

The facade of the home is clean and striking. Two substances, two bedrooms using parallel geometry and an opening that’s obviously the entry. What would you envision the interior to be, based on this facade? The answer determines the home’s authenticity.

LLC, CHRISTIAN DEAN ARCHITECTURE

Well, here is your master bathroom of the same home in the previous photo. Striking, clean lines. I love the simple usage of two substances to get the floor and a single big window with a view of the lake beyond. The design of the bathroom perfectly marries together with the exterior. This home has authenticity.

More photographs from this project

Caputo Construction

2. Montecito Residence, California

The solution to this home is promising: intriguing substances, intriguing procession and small glimpses of this design. What would you expect the interior to be, based upon this image?

Caputo Construction

The interior doesn’t disappoint: exposed steel, open spaces, metal decking and an architectural dialogue that meets the promise of the home’s approach.

Too frequently we will see a film that does not meet the promise of this movie’s poster or trailer (I might be just a bit bitter about the last picture I saw). That can be a very disappointing experience. Authenticity in design maintains and meets the home’s promises.

More photographs from this project

3. Nevada Home

Here is a picture of a dining room of beautiful lyricism with a rhythmic, exposed structure, a clean area and consistency in substance choices, all creating spatial integrity. The furniture was designed and constructed specifically for this particular space.

And this is your front door to the same home. The design in the doorway begins the rhythm of the distance beyond.

“This above all:
To thine own self be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.”

— William Shakespeare, Hamlet

Architecture must share the very same qualities of authenticity that we appreciate in individuals.

More photographs from this project

Neslihan Pekcan/Pebbledesign

4. Children’s Room, ” Turkey

This image is a wonderfully lively kids’ bedroom. The Lego notion is carried through consistently with imagination and creativity. Truth be told, I love Legos and still play them … together with my kids, of course.

The colour brings the space to life. Not overdone or underdone, this magnificent area has integrity.

More photographs from this project

De Meza + Architecture

5. San Francisco Bathroom

This image reminds me of an Eric Carle illustration. The room has a wonderful use of colour and texture in the floor and in the drawers. It is a whimsical space that is not trying to be overly serious.

More photographs from this project

Shouldice Media

Shouldice Media

6. Timber-Frame Home, Canada

Last, for people who may bewail my almost exclusive usage of contemporary design, is this gorgeous home. Too frequently homes of a more conventional style are merely a facade, together with the interior standard at best, as well as the promises of the exterior are unkept.

Thankfully, that’s not the case for the home. This is the interior of the room found in the tall roof portion of the former image. It is a real architectural experience that’s true to the style, right down to the thick, rough beams, tall distance (just as we would expect from the exterior) and detailed connections.

Architecture must be authentic, just like a person — true to its culture and its own historical context, together with the thread of a common notion carried consistently throughout.

We have all been lied to in art — if it be a film, a book or an exhibition. Little is worse, in the context of structure, compared to entering a home that promises much and delivers little. A home should deliver well beyond its own promises with whimsy and surprise, just like a great picture. Architecture needs to be authentic to be successful.

More: Simplicity vs. Simpleness in Architecture — and Why You Need to Care

See related

Architect's Toolbox: The Open Corner Window

Architect's Toolbox: The Open Corner Window

The traditional way of producing a room would be to build four partitions, each connected and vertical to the adjoining wall. Doors and windows are then”cut” or”punched” into the walls to join rooms and present views and light.

In the late 19th century, architects at the upper Midwest started to experiment with producing rooms that flowed into another and from inside to outside. They did so by removing the corners rather than linking wall to wall. Opening up by simply taking the corners of this room was like removing the corners of a rectangular bowl. The space within the room, like the water within the bowl, would flow freely, spilling out to the adjoining rooms and the exterior.

The outcome is that the open corner, like the flat roof, has become a signature of modern design.

Dick Clark + Associates

The lack of any structural assistance in the corner has the effect of flattening the space, transforming the perspective into what seems to be a large landscape painting.

Kanner Architects – CLOSED

The space of this room spills out into the mountainous landscape beyond, and the tree becomes part of the room.

Sutton Suzuki Architects

Glass wraps the corner, and the wall is almost nonexistent. The horizontal muntin bars form a residual corner and join the two walls. The space of this room is simultaneously contained and allowed to spill free, a great duality.

Bertram Architects

There’s not anything in the best way to impede the perspective whilst producing the next great piece of literature.

Dick Clark + Associates

The corner window gives this shower the illusion of being outside.

Rossington Architecture

Here is a fun and colorful version of the open corner, proof that this instrument may be used across any style.

SDG Architecture, Inc..

Like individual frames of a film, the windows capture increasing quantities of treetop and sky, while the open space keeps the progression going.

Laidlaw Schultz architects

Walls of glass with no visible way of support blur the distinction between outside and inside.

Sagan / Piechota Architecture

The large piece of glass turns the corner to create an uninterrupted view of the landscape, while the large expanse of wall over the glass creates a tough edge to the space, simultaneously weathered and expansive.

More: Getting it Wright: Now’s Prairie Style Homes
Stunning, Surprising Corner Windows
Ribbon Windows: Openness, Privacy, and Cool Modern Design

See related