Month: September 2020

Hold the (Freight) Elevator, Please!

Hold the (Freight) Elevator, Please!

It is fitting that John Eastman utilizes a classic freight elevator to access his property. As a large-scale abstract painter and maker of reclaimed-wood furniture because of his company, Eastman Tribe, Eastman wanted an industrial space where he is creative, meet with clients and still have all of the conveniences of home.

His downtown Pittsburgh loft delivers on both practicality and minimalist, industrial style. As an instance, sheets of corrugated metal produce partitions that specify the living spaces, whereas more sheets around the ceiling establish fixtures Eastman calls metal kites that produce cool uplighting. Meanwhile, charcoal-gray floors and white walls produce a gallery-recalling space that allows Eastman’s vivid paintings and rustic timber furniture pieces to stand out.

at a Glance
Who resides: John Eastman
Location: Downtown Pittsburgh
Size: 3,300 square feet; 1 bedroom, 1 bathroom

Jason Snyder

Eastman enters his loft by way of a freight elevator. The signal overhead is classic.

Wall paint: Ultra Pure White, Behr; floor paint: Charcoal Gray, Behr

Jason Snyder

Looking to save money but also add a few industrial allure, Eastman used sheets of stainless steel to create walls that define the inside spaces. A orange accent wall highlights two first acrylic paintings from Eastman.

Wall paint: Citrus Blast, Behr; seat: Stripes Bench, Eastman Tribe

Jason Snyder

Eastman’s paintings and a live-edge java table that he made adorn the living area.

Sofa: St. Jean, Mitchell Gold + Bob Williams; java table: Stone Coffee Table, Eastman Tribe; art: John Eastman; floor lamp, metal seat: classic

Jason Snyder

Chairs, pendant lights: Ikea; table: estate sale

Jason Snyder

Eastman built this dining area barn table from salvaged industrial warehouse beams. Its center includes a painted candle well that is also used for bread.

The artist used a barn door to create the “XXO” bit; he painted the Ikea seats and classic locker red.

Pendant lights: Ikea

Jason Snyder

A metallic sink and vulnerable plumbing continue the industrial aesthetic in the restroom.

Jason Snyder

Wall paint: Lime Pop, Behr

Jason Snyder

For this little study space, Eastman painted a classic table white and additional classic black Windsor seats.

Jason Snyder

A bigger freight elevator enables Eastman to transport some of his first oversize paintings and paintings in and out of the studio.

French doors: Building Junction

Jason Snyder

Jason Snyder

Eastman calls for the corrugated metal sheets on the ceiling metal kites. They offer an economical alternative to replacing the worn cement ceiling while providing exceptional uplighting.

Sofa: Ikea; finish tables: Eastman Tribe; timber seat: classic

Jason Snyder

This drawing table was bought in the ’90s. Eastman has since painted and reconfigured it to match his existing filing requirements. “Two Ideas” by Eastman hangs above the table.

Jason Snyder

John Eastman, pictured here, plans to shake his kitchen soon.

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How to Use Resin to get a Decorative Countertop

How to Use Resin to get a Decorative Countertop

Resin countertops, which might be epoxy, polyester or acrylic, have long been used in laboratory settings, as the non-porous nature of the material resists bacteria and stains. The parts of resins are fluid before they’re mixed. After mixing, they harden into a durable, strong material. Colored resins can produce a countertop which rivals materials such as polished soapstone, but you can gently tint the leaf for translucent color, or omit color to get a transparent appearance.

Prepare the Substrate

Resin needs a strong, flat substrate or foundation. Plywood, butcher block and medium-density fiberboard are acceptable. The substrate ought to be cut to fit the top of the cupboards with appropriate openings to the sink and other items such as a drop-in stovetop. Resin countertop substrates are attached to the cupboards from the underside with silicone adhesive or screws. Inserting screws down through the top of the substrate can cause a dip in the finished leaf at every screw. If the countertop demands more than one sheet of substrate, that is common in very long counters, seal the seams using two-part epoxy adhesive. You’ll need a temporary lip around the perimeter of the countertop and every opening to contain the fluid resin until it hardens. Strips of metal flashing tacked around the edges make a smooth lip, and its flexibility bends around curves.

Mix and Seal

Prior to pouring the bulk of the countertop, you should seal the substrate with a thin layer of leaf. Resin is made up of at least 2 components mixed together in a plastic container and used quickly. For clear resin that reveals the underlying material, you do not need a color additive in the sealer. This is common once the substrate has wood grain that you would like to show, such as with butcher block. A small quantity of resin goes on the substrate using a paint roller first. When you desire a solid or transparent color countertop, this is the opportunity to incorporate a leaf color additive. Bubbles may appear after rolling, but you may break them with a needle or toothpick. Some manufacturers recommend two applications of leaf for a sealer.

Artistic Touches

One of the benefits of a leaf countertop is the possibility for customization. You can seal just about any object beneath clear or lightly tinted resin and it will show through without being exposed to kitchen moisture. A countertop covered in jewels, such as pennies or nickels, adds a metallic beam without the typical care needed to maintain the metals. It is possible to seal in photographs, seashells, marbles, notes, tumbled sea glass or dried flowers and herbs. Fresh plant life is an exception, as the moisture content might interfere with the resin’s curing process. Photocopies and ink-jet printed items may run when leaf is pumped, so they are also a poor option. When the objects are lightweight, such as photographs, glue them to the sealed substrate using water-based adhesive and let the glue dry before proceeding.

Mix and Pour

Mixing resin to pour is just like mixing it to seal, except that you need more leaf. Even though you can pour the whole countertop at once, some manufacturers recommend pouring in layers, allowing each layer cure before adding another. Additional layers bonding seamlessly with all the underlying ones. Resin can set quickly. If the countertop is very large, you’ll need a helper to pour one place as you pour a second. Bubbles might form while pouring or soon after. If there aren’t any embedded objects, a propane torch passed gently across the leaf breaks the bubbles. If there are objects that the torch can damage, use a toothpick to break bubbles. After every layer sets, pour the next layer and then build until the depth that you prefer.

Cure and Complete

Curing time for leaf varies and may take up to a week. Anything put on the countertop before the resin cures can introduce permanent dents. Similarly, wait to install drop-in items such as the sink. You may safely get rid of the metal flashing lip before the leaf has completely cured as long as it feels company. If there are any drip marks on the edges, shave them away using the blade of a utility knife. Rough countertop edges are smoothed by sanding lightly with fine-grit sandpaper. Car wax, which has light synthetic ingredients, and a handheld, orbital polisher, such as a car-detailing polisher, buffs the sanded edges to a shine. You might also cover the edges with wood trim molding.

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